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雅马哈 YAMAHA CL3 64路数字调音台

中型尺寸，2个推子区域（16+8），64个单声道和 8个立体声输入通道。

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品牌：YAMAHA雅马哈型号：CL3（项目报备）国别：日本产地：日本适用场景：大型演出、中型演出、演播...

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在过去的25年中，Yamaha的数字调音台产品技术及其功能特性已经成为全面的业界标准，全新的CL系列将不仅仅继承这一传统，同时赋予新产品更好的易用性、声音的纯净性以及更先进的声音塑造能力，帮助那些想象力丰富的艺术家和调音师们发挥无尽的创新潜能。
新产品系列包括了CL1，CL3和CL5三个型号，具备从48路到72路单声道+8路立体声的输入能力。同时全部型号都包含16个DCA和24个混音/8个矩阵输出母线。
Yamaha独创的Centralogic用户界面被业界公认为现有的最友好的数字操作环境，现行的“选定通道”界面也已经融合到该先进系统中，并优化了多种增强的操作手段；全触摸式高灵敏度的大尺寸显示屏幕，可以帮助用户快速地完成任何参数操作；“用户自定义旋钮”是另一种值得一提的新功能，不同于“用户自定义键”，用户可以将调音台的多种参数功能分配到四个旋钮，实现直接、快速的操作与访问。
CL系列的EQ和效果器进行了全面地扩展与改善。内置的Effect Rack（效果器机架）采用了 VCM模拟电路建模技术，另外还配备了通过与Rupert Neve先生本人紧密合作而设计开发的带有Rupert Neve Designs Portico 5033均衡器和Portico 5043压缩器/限制器的Premium Rack。Yamaha与Rupert Neve Designs公司的通力合作始于2010年，合力开发基于Yamaha VCM (虚拟电路建模)技术的设备。Rupert Neve曾对Portico 5033均衡器和Portico 5043压缩器等采用VCM技术后的产品做出过如下评述: “这是一个非常激动人心的时刻，因为我们第一次将Rupert Neve声音的强悍表现力应用到了现场扩声领域。这一切归功于Yamaha的VCM技术。我绝对相信这种声音与原本的模拟声没有任何区别。” Yamaha研发中心的K博士（Dr. K ，Toshifumi Kunimoto先生) 、VCM 技术的开发者，对该技术同样表示满意: “我们已经将VCM 技术推广到音响效果和数字调音台的广阔领域,目前通过与Rupert Neve Designs公司卓有成效的合作,VCM 技术已成为一些最有价值的Portico产品的技术基础。”
通过可扩展的Audinate Dante?数字音频网络进行通讯，CL系列的多种组合和配置中还可以使用 Rio3224-D和Rio1608-D机架安装型I/O接口设备。CL系列调音台可以连接多达8台I/O机架接口设备，不仅如此，多台CL调音台还可以同时对同一I/O机架设备进行控制。全新增加的增益补偿功能，可以通过单一网络整合FOH和监听位的控制，因此提供了更大规模数字现场扩声的能力。CL系列中使用的Dante模块是与Audinate公司合作开发的。Audinate的CEO,Lee Ellison评价道: “我们很高兴能在CL系列调音台和I/O机架接口设备的开发过程中与Yamaha开展合作。Dante为Yamaha网络系统与Dante虚拟声卡以及其它任何Dante网络设备之间连接提供了灵活、低延迟、高度扩展、即插即用的网络解决方案。我们相信融汇于这个新平台的技术将为用户提供难以想象的崭新数字体验。”
CL调音台附赠了Steinberg的 “Nuendo Live” 录音制作软件，提供了最先进的现场多轨录音和虚拟声音检查功能。Nuendo Live软件的一大特点便在于其专门为现场录音工作进行了设计优化，可以直接从CL调音台实现多种访问和操作。Extension plug-in（扩展插件），是一种可供调音台和Nuendo Live进行便捷通讯的应用软件,可以让CL从调音台的内部界面实现诸如通道名复制、标记和走带控制等操作。Steinberg的常务董事Andreas Stelling说: “Nuendo Live不仅极其稳定、易于使用，还能与最新一代的Yamaha现场调音台无缝整合。这是Yamaha和Steinberg公司密切合作的又一成功范例。”
专门为iPad开发的CL StageMix应用程序则提供了更大的灵活性,可以从舞台或观众席等任意位置远程无线遥控并设置CL调音台。Yamaha Console File Converter（Yamaha调音台文件转换器）是另一种非常实用的应用软件。它可以实现CL系列、PM5D、M7CL和LS9调音台之间的数据共享，即使使用完全不同的调音台，一台设备中的参数数据也无需彻底重新编程就能复制到另外一台上并使用。

“CL用当今的先进技术完美地满足了当今用户的需求。”雅马哈专业音响事业部小林和德部长（Kazunori Kobayashi）这样评价，“Yamaha、Rupert Neve Designs、Audinate和Steinberg等公司间的亲密合作，造就了声音、性能和功能之间的完美平衡，最终结果就是达到了毫无妥协的混音能力和完美品质。历经四分之一世纪的不断创新，今天的CL系列调音台开创了Yamaha数字混音技术的新篇章。”

除了推子布局和输入通道数量，本系列各型号产品全部技术规格都相同。

CL5：推子布局为3区域形式（16+8+8），72个单声道和8个立体声输入通道。

CL3：中型尺寸，2个推子区域（16+8），64个单声道和 8个立体声输入通道。

CL1：紧凑型设计，双8推子区域（8+8），48个单声道和8个立体声输入通道

I/O机架接口设备

两种型号都可以通过Dante网络协议连接到调音台，传输低抖动、低延迟的数字音频信号。

Rio3224-D：5U尺寸，32进16出，以及4个AES/EBU输出。

Rio1608-D：3U尺寸，16进8出。

Technical Specification of CL/QL

		CL5	CL3	CL1	QL5	QL1
Mixing Capacity	Input Mixing Channels	72 mono + 8 stereo	64 mono + 8 stereo	48 mono + 8 stereo	64 mono + 8 stereo	32 mono + 8 stereo
	Mix Buses	24			16
	Matrices	8 (Input to Matrix supported)			8 (Input to Matrix supported)
	Stereo Bus	1			1
	Mono	1			1
	Cue	1 (Second Cue Bus supported in CL V4.0 or later)			1 (Second Cue Bus supported in QL V4.0 or later)
Local Connectors	Analog Inputs	8			32	16
	Analog Outputs	8			16	8
	MY Slots	3			2
	Dante I/O	Primary / Secondary			Primary / Secondary
	Digital Out	1 (AES/EBU)			1 (AES/EBU)
	GPI	5 in / 5 out (CL V1.11 or later)			5 in / 5 out
	Word Clock I/O	Yes			Yes
	MIDI I/O	In / Out			In / Out
	External Redundant PSU	Optional PW800W			No
	Meter Bridge	Output meter built-in	Optional MBCL		No
	Ethernet	Yes			Yes
	AC Inlet	V-Lock Type			V-Lock Type
Scene Memory	Number of Scenes	300			300
	Recall Safe	Yes			Yes
	Focus Recall	Yes			Yes
	Fade Time	Yes (0s ~ 60s)			Yes (0s ~ 60s)
	Preview	Yes (CL V1.51 or later)			Yes
	Selective Load / Save	Yes (CL V1.7 or later)			Yes
	Tactile Control Keys	Yes			No (on-screen)
Input Channel Functions	Gain Compensation	Yes			Yes
	Digital Gain	Yes (-96dB ~ +24dB)			Yes (-96dB ~ +24dB)
	ATT	-96dB ~ 0dB			-96dB ~ 0dB
	HPF	20Hz ~ 600Hz, -6 or -12dB/oct Selectable (CL V1.51 or later)			20Hz ~ 600Hz, -6 or -12dB/oct Selectable
	PEQ	4 Band Full PEQ (RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later)			4 Band Full PEQ (RTA overlay support in QL V3.0 or later, New EQ Algorithms support in QL V4.0 or later)
	Dynamics 1	Gate / Ducking / Compressor / Expander (Key-in Filter on the Compressor and Expander in CL V4.0 or later)			Gate / Ducking / Compressor / Expander (Key-in Filter on the Compressor and Expander in QL V4.0 or later)
	Dynamics 2	Compressor / Compander-H / Compander-S / De-esser			Compressor / Compander-H / Compander-S / De-esser
	Input Delay	Yes (0ms ~ 1000ms, frame delay support in CL V3.0 or later)			Yes (0ms ~ 1000ms, frame delay support in QL V3.0 or later)
	Pan	CENTER NOMINAL or LR NOMINAL for monaural input channels in CL V3.1 or later L-MONO, R-MONO or LR-MONO for stereo input channels in CL V3.1 or later			CENTER NOMINAL or LR NOMINAL for monaural input channels in QL V3.1 or later L-MONO, R-MONO or LR-MONO for stereo input channels in QL V3.1 or later
	DCA Group	16 (Output DCA and DCA Roll-Out support in CL V2.0 or later, Scrollable DCA Roll-Out support in CL V4.0 or later)			16 (Output DCA support in QL V3.0 or later)
	MUTE Group	8			8
	Number of Inserts	2 (CL V2.0 or later)			2
	Direct Out	Yes			Yes
Output Channel Functions	PEQ	4 Band Full PEQ (RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later)			4 Band Full PEQ (RTA overlay support in QL V3.0 or later, New EQ Algorithms support in QL V4.0 or later)
	Dynamics 1	Compressor / Expander / Compander-H / Compander-S			Compressor / Expander / Compander-H / Compander-S
	MUTE Group	8			8
	Number of Inserts	2 (CL V2.0 or later)			2
Premium Rack	Number of Premium Racks	8			8
Premium Rack	Mountable Device	RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (CL V3.0 or later) / MBC4 (CL V4.0 or later)			RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (QL V3.0 or later) / MBC4 (QL V4.0 or later)
Effect Rack	Number of Effect Racks	8			8
	Number of Effect Programs	54			54
	Mountable Device	Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (CL V3.0 or later)			Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (QL V3.0 or later)
GEQ Rack	Number of GEQ Racks	16			8
GEQ Rack	Mountable Device	31BandGEQ / Flex15GEQ / Dugan Automixer (CL V3.0 or later) / 8Band PEQ (CL V3.0 or later) (RTA overlay support in CL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in CL V4.0 or later)			31BandGEQ / Flex15GEQ / Dugan Automixer / 8Band PEQ (CL V3.0 or later) (RTA overlay support in QL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in QL V4.0 or later)
Dante	Number of I/O Channels	64 in / 64 out			64 in / 64 out	32 in / 32 out
Dante	Dante Patch from Console	Yes			Yes
Recording	USB Memory Recording	Yes			Yes
Recording	DVS Recording	Yes (DVS and Nuendo Live bundled)			Yes (DVS and Nuendo Live bundled)
Broadcast Functions	5.1 Surround Panning	Yes (CL V3.0 or later)			Yes (QL V3.0 or later)
	Surround Monitor	Yes (CL V3.0 or later)			Yes (QL V3.0 or later)
	Mix Minus	Yes (CL V2.0 or later)			Yes (QL V3.0 or later)
	L-Mono / R-Mono / LR-Mono	Yes (CL V3.0 or later)			Yes (QL V3.0 or later)
Monitor	Solo Mode	Yes (CL V4.0 or later)			Yes (QL V4.0 or later)
	Second Cue Bus (allows the MATRIX 7/8 to be used as a CUE B bus)	Yes (CL V4.0 or later)			Yes (QL V4.0 or later)
	Oscillator	Sine Wave 1ch / Sine Wave 2ch (CL V3.0 or later) / Pink Noise / Burst Noise			Sine Wave 1ch / Sine Wave 2ch (QL V3.0 or later) / Pink Noise / Burst Noise
Other Functions	Port to Port	No			Yes
	RTA	Yes (CL V3.0 or later)			Yes (QL V3.0 or later)
	Output Port Delay	Yes (0ms ~ 1000ms, frame delay support in CL V3.0)			Yes (0ms ~ 1000ms, frame delay support in QL V3.0)
	Cascade	Yes (via MY slots)			Yes
	User Level	Yes			Yes
	Help File	Yes (CL V1.51 or later)			Yes
	Channel link	Yes (Output Channel link support in CL V3.0 or later)			Yes (Output Channel link support in QL V3.0 or later)
	Channel Copy/Move	Yes			Yes
	Control & Monitoring for Digital Wireless Receivers	Shure ULXD4D/ULXD4Q (CL V4.0 or later)			Shure ULXD4D/ULXD4Q (QL V4.0 or later)
User Interface	Display	10 inch Touch Panel			10 inch Touch Panel
	Centralogic Section	Yes			No
	Faders	16 + 8 + 8 + 2	16 + 8 + 2	8 + 8+ 2	32 + 2	16 + 2
	Selected Channel Encoders	Gain, HPF, PEQ (controls for 4 bands), Dynamics 1/2(Threshold only), Pan, Mix/Matrix Sends			Gain, HPF, PEQ (controls for a selected band), Dynamics 1/2(Threshold only), Pan
	Channel Encoder	Yes (for Gain, Send Level, or an assigned parameter)			No
	Channel Name / Color Display	Yes			Yes
	Custom Fader Banks	Yes (customized for each fader section)			Yes (customized for all faders in a lump, MASTER fader of FADER BANK A in QL V4.0 or later)
	User Defined Keys	16 (x 4 banks in CL V3.0 or later)			12 (x 4 banks in QL V3.0 or later)
	User Defined Knobs	4			4 (on-screen)
	Touch and Turn Knob	Yes (using a User Defined Knob)			Yes
	Monitor Level Knob	Yes			Yes (on-screen)
	Wooden Arm Rest	Yes			No
	iPad Stay	Yes		No	Yes	No
	Rack-mounting	No			No	Yes
Software	Editor	CL Editor (Win/Mac, CSV files import/export in CL Editor V4.0.0 or later)			QL Editor (Win/Mac, CSV files import/export in QL Editor V4.0.0 or later)
	StageMix	CL StageMix (iPad app)			QL StageMix (iPad app)
	MonitorMix	Yes (CL V4.00 or later)			Yes (QL V4.00 or later)
	Console File Converter	Yes (Win/Mac)			Yes (Win/Mac)

CL5, CL3, CL1

*1 Crosstalk is measured with a 30dB/octave filter @22kHz
*2 Excluded MBCL optional meter bridge.
*3 Total Harmonic Distortion is measured with 18dB/octave filter @80kHz
*4 Hum & Noise are measured with A-Weight filter.

Analog Input Characteristics

Input Terminals	GAIN	Actual Load Impedance	For use with nominal	Input level			Connector
Input Terminals	GAIN	Actual Load Impedance	For use with nominal	Sensitivity*1	Nominal	Max. before clip	Connector
OMNI IN 1-8	+66dB	10kΩ	50-600Ω Mics & 600Ω Lines	-82dBu (61.6μV)	-62dBu (0.616mV)	-42dBu (6.16mV)	XLR3-31 type (Balanced)*2
	+18dB	10kΩ	50-600Ω Mics & 600Ω Lines	-34dBu (15.5mV)	-14dBu (155mV)	+6dBu (1.55V)
	+17dB	3kΩ	-33dBu (17.4mV)	-13dBu (174mV)	+7dBu (1.74V)
	-6dB	3kΩ	-10dBu (245mV)	+10dBu (2.45V)	+30dBu (24.5V)
TALKBACK	+64dB	10kΩ	50-600Ω Mics & 600Ω Lines	-70dBu (0.245mV)	-60dBu (0.775mV)	-40dBu (7.75mV)	XLR3-31 type(Balanced)*2
TALKBACK	+20dB	10kΩ	50-600Ω Mics & 600Ω Lines	-26dBu (38.8mV)	-16dBu (0.123V)	+4dBu (1.23V)	XLR3-31 type(Balanced)*2

*1. Sensitivity is the lowest level that will produce an output of +4dBu(1.23V) or the nominal output level when the unit is set to maximum gain.(all faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced..(1=GND, 2=HOT, 3=COLD)
*3. In these specifications, 0dBu = 0.775 Vrms.
*4. All input AD converters are 24bit linear, 128times oversampling.
*5. +48V DC ( phantom power ) is supplied to OMNI IN (1-8) and TALKBACK XLR type connectors via each individual software controlled switches.

Analog Output Characteristics

Output Terminals	Actual Source Impedance	For Use With Nominal	GAIN SW*5	Output Level		Connector
Output Terminals	Actual Source Impedance	For Use With Nominal	GAIN SW*5	Nominal	Max. before clip	Connector
OMNI OUT 1-8	75Ω	600Ω Lines	+24dB (default)	+4dBu (1.23 V)	+24dBu (12.3 V)	XLR-3-32 type(Balanced)*1
OMNI OUT 1-8	75Ω	600Ω Lines	+18dB	-2dBu (616mV)	+18dBu (6.16V)	XLR-3-32 type(Balanced)*1
PHonES	15Ω	8Ω Phones	-	75mW*6	150mW	Stereo Phone Jack (TRS) (Unbalanced)*2
PHonES	15Ω	40Ω Phones	-	65mW*6	150mW	Stereo Phone Jack (TRS) (Unbalanced)*2

*1. XLR-3-32 type connectors are balanced.( 1=GND, 2=HOT, 3=COLD )
*2. PHonES stereo phone jack is unbalanced.( Tip=LEFT, Ring=RIGHT, Sleeve=GND )
*3. In these specifications, 0dBu = 0.775 Vrms.
*4. All output DA converters are 24bit, 128times oversampling.
*5. There are switches inside the body to preset the maximum output level.
*6. The position of the level control is 10dB lowered from Max.

Digital Input & Output Characteristics

Terminal	Format	Data length	Level	Audio	Connector
Primary/Secondary	Dante	24bit or 32bit	1000base-T	64ch Input/64ch Output @48kHz	etherCON Cat5e

Digital Output Characteristics

Terminal		Format	Data length	Level	Connector
DIGITAL OUT	AES/EBU	AES/EBU Professional Use	24bit	RS422	XLR-3-32 type (Balanced) *1

*1. XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)

I/O Slot (1-3) Characteristics

Control I/O Characteristics

Each I/O Slot accepts a Mini-YGDAI card. only Slot1 has a serial interface.

Terminal		Format	Level	Connector
MIDI	IN	MIDI	-	DIN Connector 5P
MIDI	OUT	MIDI	-	DIN Connector 5P
WORD CLOCK	IN	-	TTL/75Ω　terminated	BNC Connector
WORD CLOCK	OUT	-	TTL/75Ω	BNC Connector
GPI (5IN/5OUT)		-	-	D-Sub Connector 15P (Female) *1
NETWORK		IEEE802.3	10base-T/100base-TX/	RJ-45
LAMP (CL5=3, CL3=2, CL1=1)		-	0V - 12V	XLR-4-31 type *2
USB HOST		USB 2.0	-	USB A Connector (Female)
Meter Bridge (CL3/CL1 only)		-	-	D-Sub Connector 9P (Female)

*1. Input pins: Internal TTL-level pull-up resistors provided (47kΩ). Output pins: Open-drain output (Vmax = 12V, max. sink current/pin = 75mA) Power pins: Output voltage Vp = 5V, max. output current Imax = 300mA
*2. Pin 4 = +12V, Pin 3 = GND, lamp rating 5W. Software voltage control.

商品参数

Nominal	Max. before clip

General specifications		CL5	CL3	CL1
General specifications
Sampling frequency rate	Internal	44.1kHz / 48kHz	44.1kHz / 48kHz	44.1kHz / 48kHz
Sampling frequency rate	External	44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)	44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)	44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay		Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz	Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz	Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
Total harmonic distortion		Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.	Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.	Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
Frequency response		+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT	+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT	+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Dynamic range		112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.	112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.	112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
Hum & noise level	Equivalent input noise	-128dBu typ., Equivalent Input Noise, Input Gain=Max.	-128dBu typ., Equivalent Input Noise, Input Gain=Max	-128dBu typ., Equivalent Input Noise, Input Gain=Max
Hum & noise level	Residual output noise	-88dBu, Residual output noise, ST master off	-88dBu, Residual output noise, ST master off	-88dBu, Residual output noise, ST master off
Crosstalk		-100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.	-100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.	-100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
Power requirements		US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz	US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz	US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz
Power consumption		170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W	170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W	170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
Dimensions	W	1053mm (41 1/2in)	839mm (33 1/8in)	648mm (25 5/8in)
	H	299mm (11 3/4in)	299mm (11 3/4in)	299mm (11 3/4in)
	D	667mm (26 1/4in)	667mm (26 1/4in)	667mm (26 1/4in)
Net weight		36kg (79.4lb)	29kg (63.9lb)	24kg (52.9lb)
Others		Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃	Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃	Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃